
The Florida Field Guide is built around the idea that art can do more than hang on a wall. I work with conservation organizations, researchers, cultural institutions, brands, schools, libraries, festivals, and communities to turn Florida stories into artwork, programs, and experiences that people remember.
If you have a species, place, project, or idea that deserves a wider audience, I would love to hear what you are working on.
Collaborative projects aligning art with conservation and community impact.
Conservation campaigns
Species & habitat storytelling
Educational & interpretative artwork
Fundraising & donor engagement
Event & program collaborations
Original, paint carvings created for private, organizational, and institutional collections.
Species-specific commissions
Place-based & regional work
Organizational & commemorative pieces
Limited edition extensions
Licensing opportunities
Engaging talks, demonstrations, and workshops that connect art, nature, and conservation.
Artist talks & presentations
Paint carving demonstrations
Hands-on workshops
Guilds, festivals, & conferences
Nature centers & museums

Adventurist
Through the Live Wildly Adventurist program and commissioned project work, I have created Florida-focused artwork and storytelling connected to the people, habitats, and conservation work shaping the future of the Florida Wildlife Corridor.

Project Contributor
Work developed around University of Florida wildlife research translated field science on Osceola wild turkey hens and poults into a Florida Field Guide edition, connecting research, public education, collectible artwork, and conservation support.

Artist in the Field
The Field Guide also travels through artist talks, demonstrations, workshops, exhibitions, festivals, and community events, creating opportunities for people to encounter the work in person and understand the research and field experience behind it.

Let's start by talking about your idea, goal, and the people you are trying to reach. You do not need to have the project fully designed. We can brainstorm together!

We identify the useful role for the artwork or program, what needs to be created, the timeline, budget, responsibilities, and any research or access the project requires.

Depending on the project, this may include research, field work, photography, visual development, carving, writing, program design, or coordination with your team.

The finished work may live as an original, an edition, an exhibition component, a public program, an event feature, a fundraising tool, or part of a larger campaign.
I am especially interested in work connected to Florida wildlife, native habitats, conservation, natural history, research, cultural memory, and place-based storytelling. I value projects with clear purpose, collaborative access to subject-matter expertise, and enough room to make something thoughtful rather than merely decorative.
Not every inquiry will be the right fit, and that is okay. If I do not think I am the right artist for the project, I would rather say so early than force the work into a shape it does not belong in.


Tell me what you are building, planning, protecting, teaching, researching, or celebrating. A short description is enough to start. If the project sounds like a good fit, I will follow up so we can talk through the details.
